Will H. Bradley: A Bibliography
A selected bibliography of sources about books written by, designed by, and about Will H. Bradley
Bolton, Theodore. Amercian book illustrators. Unpublished ms, 1941.
————. Index to American illustrators. Unpublished ms, 1931.
Bradley, Will H. Will Bradley papers, 1882-1962. Unpublished mss and correspondence. Archives of American Art, Smithsonian Institution, Washington, DC. Microfilm reels 689 and la10.
Bradley, Will H. Willie: his story of a Victorian boyhood. Unpublished ms, [n.d.]. Copies in the Metropolitan Museum of Art, New York, and in the Archives of American Art.
Weitenkampf, Frank. The American illustrator. Unpublished ms, 1954.
Unpublished Academic Sources
Collier, Margaret Smith. Art Nouveau book design in America. Unpublished masters thesis. School of Library Science, University of North Carolina at Chapel Hill, 1968.
Johnson, Diane Chalmers. Will Bradley and Art Nouveau in America. Unpublished doctoral thesis. Department of History of Art, University of Kansas, 1970.
Koch, Robert. The poster in the development of the Modern Movement, 1880-1900. Unpublished thesis. Institute of Fine Arts, New York University, [n.d.].
Serwer, Jacquelyn Days. The American artistic poster of the 1890s. Unpublished doctoral dissertation. City University of New York, 1980.
Wong, Roberta Waddell. Will Bradley: exponent of American decorative illustration at the end of the Nineteenth Century. Unpublished doctoral thesis. Fine Arts Department, Johns Hopkins University, 1971.
Adam, H.A. ‘Bradley’s influence on printing.’ Printer and Bookmaker, vol. 24 (Jun 1897). 142-143.
Ady, Julian Mary Cartwright. ‘Sir Edward Burne-Jones, his life and work.’ The Art Annual for 1894, 1894.
‘Aluminum plates.’ American Printer, vol. 19 (Jul 1894). 4.
‘The American Chap-Book by Will Bradley.’ Inland Printer, vol. 34 (Feb 1905). 762.
Bennett, Paul A. ‘Will Bradley, a selection of his works.’ Penrose Annual, vol. 49 (1955). 31-33.
Bradley, Will H. ‘A Bradley house: the breakfast-room.’ Ladies’ Home Journal, vol. 18 (Nov 1901). 7.
————. ‘A Bradley house: the library.’ Ladies’ Home Journal, vol. 19 (Dec 1901). 17.
————. ‘A Bradley house: the dining-room.’ Ladies’ Home Journal, vol. 19 (Jan 1902). 11.
————. ‘A Bradley house: the nursery.’ Ladies’ Home Journal, vol. 19 (Feb 1902). 13.
————. ‘A Bradley house: the reception or living room and the hall.’ Ladies’ Home Journal, vol. 19 (Mar 1902). 15.
————. ‘A Bradley house: the boudoir.’ Ladies’ Home Journal, vol. 19 (May 1902). 13.
————. ‘A Bradley house: a chamber.’ Ladies’ Home Journal, vol. 19 (Jul 1902). 15.
————. ‘Exterior of the Bradley house, closing the series.’ Ladies’ Home Journal, vol. 19 (Aug 1902). 1i.
————. ‘The abuse of custom.’ The American Chap-Book, vol. 1, no. 5 ( Jan 1905). 5-29.
————. ‘Advertising display’ The American Chap-Book, vol. 2, no. 4 ( Jun 1905). 5-33.
————. ‘Appropriateness.’ The American Chap-Book, vol. 1, no. 4 (Dec 1904). 5-31.
————. ‘Booklets.’ The American Chap-Book, vol. 2, no. 5 ( Jul 1905). 5-21.
————. ‘Business cards.’ The American Chap-Book, vol. 2, no. 2 (Apr 1905). 7-32.
————. ‘Cover designs.’ The American Chap-Book, vol. 2, no.1 (Mar 1905). 5-33.
————. ‘Castle perilous.’ Part 1 of 3. Collier’s, vol. 35, (15 Apr 1905). 16-27.
————. ‘Castle perilous.’ Part 2 of 3. Collier’s, vol. 35, (29 Apr 1905). 18-27.
————. ‘Castle perilous.’ Part 3 of 3. Collier’s, vol. 35, (27 May 1905). 19-22.
————. ‘Detail in type composition.’ American Printer, vol. xli (Dec 1905). 361-365.
————. ‘Directness and simplicity.’ The American Chap-Book, vol. 1, no. 2 (Oct 1904). 3-15.
————. ‘Eighteenth century chap-books and broadsides.’ The American Chap-Book, vol. 1, no. 1 (Sep 1904). 4-16.
————. ‘Printing as a business.’ American Printer, vol. 39 (Jan 1905). 363-370.
————. ‘Title pages.’ The American Chap-Book, vol. 2, no. 6 (Aug 1905). 5-33.
————. ‘The use of borders and ornaments.’ The American Chap-Book, vol. 1, no. 3 (Nov 1904). 3-29.
————. ‘The use of brass rule.’ The American Chap-Book, vol. 2, no. 3 (May 1905). 5-33.
————. ‘The use of color in printing.’ American Printer, vol. 50 (Jul 1910). 625-628.
————. ‘The use of printing labels in bookbinding.’ Printing Art, (Sep 1904).
————. ‘The value of little things.’ The American Chap-Book, vol. 1, no. 6 (Feb 1905). 3-27.
————. ‘Will Bradley’s ideas for a $1500 house.’ Ladies’ Home Journal, vol. 22 (Apr 1905). 25.
————. ‘Will Bradley’s ideas for two houses for less than $2600.’ Ladies’ Home Journal, vol. 22 (Jul 1905). 20.
————. ‘Will Bradley’s magazine memories.’ Journal of the American Institute of Graphic Arts, vol. 3, no. 1 (1950). 12-18.
————. ‘Will Bradley’s two ideas for a $1000 house.’ Ladies’ Home Journal, vol. 22 (Feb 1905). 35.
Breitenbach, Edgar. ‘The poster craze.’ American Heritage, vol. 13, no. 2 (Feb 1962). 26-31.
Ettinger, Paul. ‘Will H. Bradley.’ Zetschrift für bücherfreunde, vol. 1, part 2. 223-233. Reprinted in Das Plakat, vol. 4 (Jul 1913). 149-164.
Gress, Edmund. ‘School of typography, lesson five: typography in the 19th Century.’ American Printer, vol. 46, no. 2 (April, 1908). 185-192.
Hiatt, Charles. ‘On some recent designs by Will H. Bradley of Chicago.’ The Studio, vol. 4 (Fall 1894). 166-168.
Koch, Robert. ‘Artistic books, periodicals and posters of the “gay ninineties.” ’ Art Quarterly, (Winter 1962). 373-374.
————. ‘Will Bradley.’ Art in America, vol. 50, no. 3 (1962). 78-82.
McQuilkin, A.H. ‘Will Bradley and his work.’ Inland Printer, vol. 14 (Feb 1895). 430-433.
‘Pictures and posters: the passing fancy in its relation to true art: the interesting personality of Springfield’s poular young artist, Will H. Bradley.’ Paper World, vol. 31, no. 5 (Nov 1895). 165-168.
Rowland, Stanley. ‘Masters of the poster (7): Edward Penfield and Will H. Bradley.’ Design for Industry, vol. 16 (Jan 1934). 34-35.
Scotson-Clark, G.F. ‘The black spot in America.’ The Poster, vol. 5 (Nov 1900). 84-87.
Singleton, Frederic Thoureau. ‘And some more notes.’ Poster Lore, vol. 1, no. 2 (Feb 1896). 57-58.
————. ‘Concerning the poster tendency and Mr Will H. Bradley.’ Poster Lore, vol. 1, no. 1 (Jan 1896). 10-11.
————. ‘Will Bradley: printer.’ Printer and Bookmaker, vol. 24 (Jun 1898). 185-185.
————. ‘Will Bradley talks books.’ American Printer, (Mar 1931). 39-40.
————. ‘Will Bradley, turn-of-the-century renovator of American typography and decorative art.’ American Printer and Lithographer, vol.103, no. 2 (Aug 1936). 13-17.
Stone, Herbert S. ‘Mr. Bradley’s drawings.’ The Chap-Book, vol. 2, no. 2 (1 Dec 1894). 55-62.
‘Will H. Bradley; a man of many talents.’ Inland Printer, (Mar 1940). 35-37.
Published Primary Sources
Abbot, Charles D. Howard Pyle, a chronicle. New York: Harper and Brothers, 1925.
Alexandre, Arsène; Bunner, H.C.; Spielmann, M.H.; and Jaccaci, August. The modern poster. New York: Charles Scribner’s Sons, 1895.
Allegorien und emblemen. Wien: Gerlach and Schenk, [1882-1885].
Allen, Charles Dexter. American book-plates. New York: Macmillan and Company, 1894.
Amaya, Mario. Art Nouveau. New York: E.P. Dutton, and London: Studio Vista Limited, 1966.
American Type Founders. American line type book borders and ornaments. Boston: American Type Founders, 1906.
Annenberg, Maurice. Type foundries of America and their catalogs. New Castle, Delaware: Oak Knoll Press, 1994.
Apostol, Jane. Will Bradley; including some examples of his later work. Pasadena: Vance Gerry/The Weather Bird Press, 1976.
Art Institute of Chicago. Catalogue of designs by Walter Crane. Chicago: Art Institute of Chicago, 1892.
Arts and Crafts Exhibition Society. Arts and crafts essays by the members of the Arts and Crafts Exhibition Society. London: Longmans, Green and Company, 1899.
Aslin, Elizabeth. The aesthetic movement: prelude to Art Nouveau. New York: Frederick A. Praeger, 1969.
Bambace, Anthony. Will H. Bradley: his work. A bibliographical guide. New Castle, Delaware: Oak Knoll Press, and Boston: Thomas G. Boss Fine Books, 1995.
Bell, Edward Malcolm. Edward Burne-Jones. London and New York: George Bell and Sons, 1893.
A bibliography of books issued by Hacon and Ricketts. [n.p., 1904].
Bierbaum, Otto. J. Stuck. Bielefeld und Leipzig: Velhagen und Klasing, 1908.
Bliss, Carey, ed. Will Bradley: his work. An exhibition. San Marino, California: Huntington Library, 1951.
Blumenthal, Joseph. The printed book in America. Boston: David R. Godine, 1977.
Bøe, Alf. From gothic revival to functional form. Oxford: Basil Blackwell, 1957.
Bok, Edward. The Americanization of Edward Bok. New York: Charles Scribner’s Sons, 1922.
Bolton, Charles. Descriptive catalog of posters. Brookline, 1895.
————. The reign of the poster. [n.p.], 1895.
Bolton, Theodore. American book illustrators. New York: R.R. Bowker Company, 1938.
Bradley, Will H. A few commercial designs re-printed from ‘Bradley: his book.’ Springfield, Massachusetts: Wayside Press, 1896.
————. A portfolio of printing: being a collection of proofs of some of the commercial work done at the Wayside Press, Springfield, Mass. Springfield, Massachusetts: Wayside Press, 1897.
————. Memories: 1875-1895. Happenings here and there along the trail, or, the world went very well then. Pasadena, California: Castle Press, 1949.
————. Pictures of a period, or, memories of the gay nineties. Los Angeles: Rounce and Coffin Club, 1950.
————. ‘Memories of the gay ’90s.’ Strathmore expressive printing papers are part of the picture. [n.p.]: Strathmore Paper Company, 1954. Autobiographical booklet, part of promo portfolio.
————. Will Bradley: his chap-book. New York: The Typophiles, 1955.
Brandt, Frederick R.; Koch, Robert; and Meggs, Philip B. Designed to sell: turn-of-the-century American posters. Richmond, Virginia: Virginia Museum of Fine Arts, 1994.
Briggs, Asa, ed. William Morris: selected writings and designs. Harmondsworth, Middlesex: Penguin, 1962.
Cameron, William E. The World’s Fair: a pictoral history of the Columbian Exposition. [n.p.], 1893.
Castle, Egerton. English book plates. London and New York: George Bell and Sons, 1892.
Chrichton, Laurie. Book decoration in America, 1890-1910. Williamstown, Massachusetts: Chapin Library, Williams College, 1979.
Classification of the World’s Columbian Exhibition Commission. Chicago: [n.p.], 1891.
Classification of the World’s Columbian Exhibition. Chicago: [n.p.], 1893.
Cole, Timothy. Considerations on engraving. New York: William Edwin Rudge, 1921.
Constantine, Mildred, and Fern, Alan M., eds. Word and image. New York: Museum of Modern Art, 1968.
Constantine, Mildred, and Selz, Peter, eds. Art Nouveau art and design at the turn of the century. New York: Museum of Modern Art,  1960.
Crane, Walter. An artist’s reminiscences. London: Metheun and Company, 1907.
————. Baby’s bouquet. London and New York: Frederick Warne and Company, [n.d.].
————. Baby’s own opera. London and New York: Frederick Warne and Company, 1877.
————. The bases of design. London: George Bell and Sons, 1898.
————. The claims of decorative art. Boston and New York: Houghton, Mifflin and Company, 1892.
————. Of the decorative illustration of books old and new. London: George Bell and Sons, 1896.
————. Line and form. London: George Bell and Sons, 1910.
————. Renascence: a book of verse. London: Elkin Mathews at the Sign of the Bodley Head, 1891.
————. The sirens three. London: Macmillan and Company, 1886.
Crawhall, Joseph. Crawhall’s chap-book chaplets, adorn’d with sutable sculptures. London: Field and Tuer, 1883. Facsimile edition, London: Scolar Press, 1973.
————. Olde ffrendes with newe faces, adorn’d with sutable sculpture. London: Field and Tuer, 1883.
Day, Kenneth. Book typopgraphy 1815-1965 in Europe and the United States. Chicago: University of Chicago Press, 1965.
Day, Lewis Foreman. The application of ornament. London: B.T. Batsford, 1891.
————. Some principles of everyday art. London: B.T. Batsford, 1890.
————. Textbooks of ornamental design: the anatomy of pattern. London: B.T. Batsford, 1892.
————. Textbooks of ornamental design: the planning of ornament. London: B.T. Batsford, 1890.
Dean, C. The World’s Fair city and her enterprising sons. Chicago: United Publishing Company, 1892.
Denis, Charles H. Eugene Field’s creative years. New York: Doubleday, Pager and Company, 1924.
Dresser, Christopher. Art of decorative design. London: Day and Son, 1862.
————. General principles of art: decorative and pictoral with hints on color, its harmonies and contrasts. Philadelphia: Philadelphia Museum and School of Industrial Art, [n.d.].
————. Principles of decorative design. London: Cassell, Petter, Galpin and Company, [n.d.].
————. Studies in design. London: Cassell, Petter, Galpin and Company, [n.d.].
Eastlake, Charles L. Hints on household taste. Boston: James R. Osgood and Company, 1872.
Echo, The. Catalogue of artistic posters. Chicago: The Echo, 1895.
An exhibition of original designs for posters by Louis J. Rhead. New York: Wunderlich Gallery, 15-30 Jan 1895.
Espey, John, and Gullans, Charles. ‘American trade bindings and their designers, 1880-1915.’ Art. in Peters, Jean, ed. Collectable books, some new paths. New York: R.R. Bowker, 1979.
Faxon, Frederick Winthrop. A bibliography of ephemeral bibelots. Boston: Boston Book Company, 1897.
Field, Eugene. Sharps and flats. Coll. by Slason Thompson. 2 vols. New York: Charles Scribner’s Sons, 1900.
Finlay, Nancy. Artists of the book in Boston, 1890-1910. Cambridge, Massachusetts: Department of Printing and Graphic Arts, Houghton Library, Harvard University, 1985.
Freeman, John Crosby. The forgotten rebel: Gustav Stickley and his Craftsman and Mission furniture. Watkins Glen, New York: Century House, 1966.
Gaunt, William. The Pre-Raphaelite dream. New York: Schocken Books, 1966.
Gloag, John. Victorian taste, some social aspects of architecture and industrial design from 1820-1900. New York: Macmillan, 1962.
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Goodrich, Lloyd. John Sloan. New York: Macmillan, 1952.
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————. Will H. Bradley: American artist in print: a collector’s guide. New York: Hudson Hills Press, 2002.
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————. ‘Has wood-engraving been injured by photographic process?’ National Academy of Design catalog, 69th exhibition. [Boston?]: National Academy of Design, 1896.
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————. Art Nouveau. New York and Toronto: McGraw-Hill, 1967.
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————. Book decoration. Pelham, New York: Bridgman, 1928.
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————. The kingdom of books. Boston: Little, Brown, 1927.
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————. Pen drawing and pen draughtsmen. New York: T. Fisher Unwin, 1920.
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————. Poster design. New York: George W. Bricka, 1922.
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————. House of the pomegranates. London: James R. Osgood, 1891.
————. The importance of being earnest. London: Leonard Smithers, 1899.
————. Lady Windermere’s fan. London: Elkin Mathews and John Lane, 1893.
————. The Sphinx. London: Elkin Mathews and John Lane, 1894.
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